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Svea livgarde uniforms. From left: grenadier officer, regular officer,
grenadier and musketeer.
On 25 October 1792, a new uniform regulation was issued, based on the
experiences of the Russian War of 1788-1790. The previous m/1779 uniform was
based on Gustav III's self-designed "Swedish Costume" and had been
controversial from the very beginning as it was criticised for being a
masquerade costume. War experience had not mitigated the criticism and now
it was decided to make the uniform more functional.
The changes that took place when m/1792 was introduced were that the exotic
Hungarian boots and charivades disappeared and were replaced with the same
type of shoes and gaiters that had been worn before m/1779 was introduced.
The jacket was allowed to retain its Gustavian appearance, but several
alterations were made to it. It was lengthened so that it went down to the
crotch instead of the waist, albeit with small turnbacks on the front that
reached the waist. The previous lapels, which had only been decorations sewn
onto the jacket, were now replaced with functional lapels that could be
turned around and fastened on both sides of the jacket opening. The waist
belts were replaced with shoulder belts, which made it possible to introduce
sashes with blue and yellow stripes as a distinctive feature of the Swedish
army. The round and tall hat with yellow plume were retained and were also a
characteristic of the Swedish army. The hats seen on most of pictures on
this page are, however, grenadier caps that were only worn by a selected
elite in the regiments.
A novelty for the officer uniform was that the gorget disappeared, and the
rank insignia were instead placed on epaulettes on the shoulders. Since 1772,
they also wore a white armband to commemorate Gustav III's coup d'état that year.
The model drawings of the
m/1792-uniforms were made by Johan Abraham Aleander (1766-1853), but his
work was not completed and most drawings that were finished depict
grenadiers. The intention was that the drawings would have a regimental
designation in a box below the image, but none of them have one. Instead, we
are referred to notes in pencil by Adolf Ulrik Schützercrantz (1802-1854).
These are written in French, but are missing from many drawings, which makes
it very difficult to identify some of them.
The watermark on the drawings
reveals that they were made no earlier than 1794 and according to an article
by Arne Danielsson from 1965 they were made before 1797 because Älvsborg's
breeches were changed from yellow to white that year. But the end date of
1797 assumes that it was Aleander who coloured them. On the front of the
booklets in the Swedish National Museum, where the pictures are kept, it is
written that it was probably Adolf Ulrik Schützercrantz who coloured them.
If this is true, then the consequence is that the pictures are not really a
contemporary source since he was born in 1802, the same year that m/1792 was
replaced by a new uniform regulation.
In total, there are 96 contour
etchings of m/1792 uniforms, of which 67 are fully coloured and another 6
are partially coloured. Only eight fully coloured pictures depict cavalrymen
and even among the infantry pictures, some regiments are missing altogether.
Despite this, there are many duplicates and it seems as if they were
originally made in two identical series. One with the ground under the shoes
coloured green and one with an uncoloured ground. However, the National
Museum keeps the coloured pictures in two booklets that have a very
irregular sorting. The numbering of the images follows the order in the
booklets (numbers 87-134 in the first booklet and 135-164 in the second
booklet). A third booklet contains, with one exception, only unfinished
pictures (numbers 165-176) and then there are six more unfinished pictures
that may constitute a fourth booklet (numbers 592-597). Except for the
uncoloured pictures, I have chosen a different and more logical sorting of
the pictures on this page than the National Museum's numbering.
Click on the images to see them
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